A new review and 5 stars for LAILA!


Happy to receive this new review for Laila today on goodreads by Lana Swaiss.

A review for LAILA on Goodreads

Another provocative book by Fadi!


After reading ‘Bride of Amman‘ as a citizen of Amman myself, I remember reading the book from the eyes of the different characters. Each character is so real and depicts true struggles people face in Jordan everyday behind closed doors. It made me connect to a book in a way I never had. The same applies to Laila. Without giving too much away, Laila is the main character, a strong woman who has found strength and courage to be true to her sexual desires, her strength as a provider for her family and fought the gender stereotypes within her home. This character resonated with me deeply, because I know there are so many Laila’s in Jordan that are just as hidden as she is. As an avid reader, I read a lot of books, and reading about sexual fantasies or dominant women in the bedroom is quite common in many English books. But to read about an Arab woman is quite different, because this issue, like many others, is taboo in this country. Fadi so openly talks through Laila about what it is like to be a strong woman in Jordan, what it is like to be a scared yet masculine man like Tariq, and what gender roles look like in a Jordanian family.

 As an avid reader, I read a lot of books, and reading about sexual fantasies or dominant women in the bedroom is quite common in many English books. But to read about an Arab woman is quite different, because this issue, like many others, is taboo in this country. 


I am proud to be a somewhat far relative of Fadi’s, and I remember when members of our family read the book (Jordanian family members), they warned me about the explicit language and uncomfortable events that take place throughout the book. I didn’t find them uncomfortable or strange. Instead, I found this book liberating, and it is very naive to think that the events within the pages of this book are uncommon, strange or unheard of.

 I found this book liberating, and it is very naive to think that the events within the pages of this book are uncommon, strange or unheard of.


I would highly recommend this read, if not for women to find strength within themselves, but for men and women to redefine what masculinity means, and that dominance is by no means a measure of masculinity or superiority, whether in or out of the bedroom.

“The Bride of Amman” Giveaways!


I am excited about the launch of “The Bride of Amman” in English. It is already up on Amazon.com for pre-orders in both a paperback version and as a kindle version. I have also created today a giveaway of two copies of the book, you can enter by clicking here The Bride of Amman (you just need to be a US resident.

My publisher has also been running his own giveaway on goodreads offering another 2 free copies which you can enter by clicking here The Bride of Amman

Tipping the Velvet: The axis of powers shaping Nancy’s gender identity


Gender is the repeated stylization of the body, a set of repeated acts within a highly rigid regulatory frame that congeal over time to produce the Subjects of Sex/Gender/Desire appearance of substance, of a natural sort of being.

Judith Butler – Gender Trouble

Tipping the Velvet

Tipping the Velvet

Sarah Walter’s lesbian romance novel ‘Tipping the Velvet’ takes us into an exhilarating journey of Nancy’s playful sexuality. It crosses the boundaries of the strictly heteronormative society of a Victorian England during the 1890s and shows the fluidity of gender in the context of different regulatory frames of desire, culture and class.

Walters divides the book into three major parts of Nancy’s life. Each part unfolds in a set of different events that helps shape Nancy’s fluctuated gender. She examines Nancy’s gender transformation against the powerful drive of desire, performativity, language, melancholia and class. In the first part she introduces Nancy to the world of male impersonators through the character of Kitty the performer, in the second part she examines the power of class in shaping gender expressions through the character of the rich woman Diana, and in the last part she places a matured Nancy into a world of philanthropy and social activism through the character of Florence.

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